Icheon Ceramics Village in Gyeonggi Province, South Korea, is home to over 300 ceramics studios where artists use traditional techniques to produce a wide range of functional pottery and artwork. Nearly 40 of the studios still use wood-fired kilns. This video filmed by the American Museum of Ceramic Art shows five ceramic masters from Icheon at work in their studios. The process of creating is almost more beautiful than the finished pieces.
The first noble truth of the Buddha is that when we feel suffering, it doesn’t mean that something is wrong. What a relief.
Pema Chodron (via thelastseduction)
Hervé x Zebra Katz - Tear The House Up (Official Music Video)
This music video is outta control. Trippy backdrops, catchy beats, silly outfits, and an MC with flare!
Support the artists!
Darien I found something for you.
Ancient moon priestesses were called virgins. ‘Virgin’ meant not married, not belonging to a man - a woman who was ‘one-in-herself’. The very word derives from a Latin root meaning strength, force, skill; and was later applied to men: virle. Ishtar, Diana, Astarte, Isis were all all called virgin, which did not refer to sexual chastity, but sexual independence. And all great culture heroes of the past, mythic or historic, were said to be born of virgin mothers: Marduk, Gilgamesh, Buddha, Osiris, Dionysus, Genghis Khan, Jesus - they were all affirmed as sons of the Great Mother, of the Original One, their worldly power deriving from her. When the Hebrews used the word, and in the original Aramaic, it meant ‘maiden’ or ‘young woman’, with no connotations to sexual chastity. But later Christian translators could not conceive of the ‘Virgin Mary’ as a woman of independent sexuality, needless to say; they distorted the meaning into sexually pure, chaste, never touched.
Monica Sjoo, The Great Cosmic Mother: Rediscovering the Religion of the Earth (via thewaking)
Literally the most important thing you will read today.
Leonce Raphael Agbodjelou. Untitled (Vodou Series), 2011.
Leonce Raphael Agbodjelou’s photographs of the people of Porto-Novo, Benin (formerly Republic of Dahomey) are drawn from street life, his friends, family and studio customers. Benin is all about colour – Porto Novo is like a visual assault.In Leonce’s impressive portraits, wild combinations of locally designed Dutch imported textiles create extreme gradations between background, foreground, person and clothing. Leonce is part of a generation experiencing rapid change and his photographs capture the energy and unfettered zest for life of a people caught between tradition and progress.
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
John Berger, Ways of Seeing